| 000 | 01722 a2200277 4500 | ||
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| 001 | 119113 | ||
| 003 | OSt | ||
| 005 | 20240403140135.0 | ||
| 008 | 240403b |||||||| |||| 00| 0 ENG d | ||
| 020 | _a9780199536917 | ||
| 020 | _qbroch. | ||
| 040 |
_aBR-BrIDEA _cBR-BrIDEA |
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| 041 | _aeng | ||
| 082 | _a843 | ||
| 090 |
_aP Year 7 843 _bZOL |
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| 100 | _aZola, Émile | ||
| 245 | 1 | 0 |
_aThe masterpiece _cÉmile Zola ; translated by Thomas Walton ; transaltion revised and inroduced by Roger Pearson |
| 260 |
_aOxford _bOxford Press _c2008 |
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| 300 | _a637 p. | ||
| 490 | _aOxford world´s classics | ||
| 520 | _aThe Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist from the provinces who has come to conquer Paris and is conquered by the flaws in his own genius. While his boyhood friend Pierre Sandoz becomes a successful novelist, Claude's originality is mocked at the Salon and turns gradually into a doomed obsession with one great canvas. Life - in the form of his model and wife Christine and their deformed child Jacques - issacrificed on the altar of Art. The Masterpiece is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. Set in the 1860s and 1870s, it provides a unique insight into his career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public. | ||
| 697 | _aFrench literature | ||
| 700 |
_aWalton, Thomas _etranslator |
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| 856 | _u000034/00003423.jpg | ||
| 942 |
_cBK _2udc |
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| 999 |
_c119113 _d119113 |
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